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This power ballad, co-written by Jeremy Midkiff and Dave Clark, describes the lonely Gethsemane moments we have all experienced. Combined with the classic chorus "I Surrender All," this anthem will set the stage for a...
This anthem shares the marvels and the mercies of Jesus. Originally recorded by Selah, this arrangement by Luke Gambill and orchestrated by Jeff Anderson adds a gospel flavor to a well-known Christian song. Don't miss...
A part of the Mountain Top series, this traditional southern gospel favorite, written by Ben Speer and arranged by Steve W. Mauldin, sings of the victory waiting for us in glory. Bless your congregation with this upbeat...
In this medley, arranger Nick Robertson has combined five well-loved hymns: It Is Well with My Soul; He Hideth My Soul; My Savior's Love; What a Day That Will Be and Amazing Grace, to give us a...
Commissioned by Sondra Tucker for the 50th anniversary of Church of the Holy Apostles in Colliersville, Tennessee, the tune VENI CREATOR SPIRITUS provides a mere springboard for this rhapsodic and lyrical music. The...
This concertato setting for congregation, SATB, trumpet and organ has a brand-new hymn tune, CHRISTUS VICTOR. An extensive introduction with optional cuts is followed by four stanzas (with short interludes between 2-3...
This setting of LAUDA ANIMA is festive and uplifting. An extended introduction is followed by four stanzas with short interludes between stanzas 2-3 and 3-4. Stanza 3 is set for SATB a cappella voices. The final stanza is...
A new SATB divisi, a cappella choral setting by Normand Gouin of the well-known paraphrase of Ubi caritas by Omer Westendorf. The captivating melody (B minor) is first sung by 2- and 3-part voices, then flowers...
Michael Larkin has a knack for writing useful, approachable music that both your choir and congregation will appreciate. This setting, perfect for Ash Wednesday, Lent, and general use, is straightforward and homophonic,...
This well-crafted hymn setting has a text that is thoughtful and inspiring. The vocal parts are accessible and the accompaniment is supportive. Worshipful for smaller to medium sized choirs and congregations...
This easy anthem for SATB and 3-octave handbells or piano uses the melody and harmonization of Orlando Gibbons' hymn tune SONG 46. A fair amount of unison and two-part singing precedes the four-part final verse. This...
Constructed almost as a choral recitative and aria, the first section But He Was Pierced is unaccompanied. All We Like Sheep follows, with its jaunty changing meters and a...
This is a gentle, expressive setting of this classic text from Isaiah 53. The accompaniment is equally suited for piano or organ. The music lasts less than two minutes, so this piece may be followed by its...
Thomas Tallis' sublime THIRD MODE MELODY is used for an unusual choral setting with organ and oboe. Thanks to accessible choral writing and a flowing accompaniment which keeps everything moving along and nicely...
Fragments of the melody of CHRISTE SANCTORUM weave in and out of this lyrical setting for SATB, violin, and piano. The text is wide-ranging, covering themes of light, ministry, devotion, and service. Inspired...
Scripture becomes song in this Hebrews-based anthem that also includes portions of Charles Wesley's hymn Let Us Live by Faith Alone. Building on our shared Christian past, with admonition for the present and...
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